Keith
Best known as bass guitarist with the progressive rock band “The Far Meadow”, Keith Buckman also plays
bass with the “Tom Slatter Band” and in 2018 formed “Marshpoem”, an acoustic songwriting collaboration
with singer Lorraine Crowther and poet Joanna Harker Shaw. In 2020, he released a lockdown single
“Hur$t1966” with Peter Jones (AKA “Tiger Moth Tales”) as “Keith and The Tiger Moth”. Since releasing the
album “A Suburban Condition” in 2008 with Angela Ramsay, Keith has played guitar and bass in a number
of covers bands, has partnered with the singer songwriter Manuela, and also with former classmate Glenn
Hayler in “Semitone Ghosts”, sometimes playing at Elaine’s open mic events.
Buckman
Since The Far Meadow’s first appearance with their
current line-up at Resonance in 2014, they have
released two albums and played a number of
progressive and classic rock festivals, including “A
New Day”, “HRH Prog”, “Danfest”, “Summer’s End”,
and the “Cambridge Rock Festival”, as well as a
number of headline and support shows. With the
insight of a writer and arranger, Keith’s playing
draws on a wide range of influences across many
genres.
Keith
Best known as bass guitarist with the progressive rock
band “The Far Meadow”, Keith Buckman also plays bass
with the “Tom Slatter Band” and in 2018 formed
“Marshpoem”, an acoustic songwriting collaboration with
singer Lorraine Crowther and poet Joanna Harker Shaw. In
2020, he released a lockdown single “Hur$t1966” with Peter
Jones (AKA “Tiger Moth Tales”) as “Keith and The Tiger
Moth”. Since releasing the album “A Suburban Condition”
in 2008 with Angela Ramsay, Keith has played guitar and
bass in a number of covers bands, has partnered with the
singer songwriter Manuela, and also with former classmate
Glenn Hayler in “Semitone Ghosts”, sometimes playing at
Elaine’s open mic events. Since The Far Meadow’s first
appearance with their current line-up at Resonance in
2014, they have released two albums and played a number
of progressive and classic rock festivals, including “A New
Day”, “HRH Prog”, “Danfest”,
“Summer’s End”, and the
“Cambridge Rock Festival”,
as well as a number of
headline and support
shows. With the insight of a
writer and arranger, Keith’s
playing draws on a wide
range of influences across
many genres.
Buckman
